ืœื“ืœื’ ืœืชื•ื›ืŸ

ื’'ื™-ืžื™ื•ื–ื™ืง

ืžืชื•ืš ื•ื™ืงื™ืคื“ื™ื”, ื”ืื ืฆื™ืงืœื•ืคื“ื™ื” ื”ื—ื•ืคืฉื™ืช
ื’'ื™-ืžื™ื•ื–ื™ืง
ื ืชื•ื ื™ื ื›ืœืœื™ื™ื
ืชืงื•ืคืช ื”ืคืขื™ืœื•ืช ื™ื•ื ื™ 2002 โ€“ ื”ื•ื•ื” (ื›ึพ24 ืฉื ื™ื) ืขืจื™ื›ืช ื”ื ืชื•ืŸ ื‘ื•ื•ื™ืงื™ื ืชื•ื ื™ื
ืžื™ืงื•ื ื”ืžื˜ื” ื˜ืื™ื•ื•ืืŸ ืขืจื™ื›ืช ื”ื ืชื•ืŸ ื‘ื•ื•ื™ืงื™ื ืชื•ื ื™ื
ย 
www.g-music.com.tw
ืœืขืจื™ื›ื” ื‘ื•ื•ื™ืงื™ื ืชื•ื ื™ื ืฉืžืฉืžืฉ ืžืงื•ืจ ืœื—ืœืง ืžื”ืžื™ื“ืข ื‘ืชื‘ื ื™ืช

ื’'ื™-ืžื™ื•ื–ื™ืง ื”ื™ื ืจืฉืช ื—ื ื•ื™ื•ืช ืชืงืœื™ื˜ื™ื ื˜ืื™ื•ื•ืื ื™ืช ืฉื”ื•ืงืžื” ื‘-2002 ืขืœ ื™ื“ื™ ื—ื‘ืจื•ืช ื”ืชืงืœื™ื˜ื™ื ื”ื˜ืื™ื•ื•ืื ื™ื•ืช, ืจื•ื– ืจืงื•ืจื“ืก ื•ื˜ืืฉื ื’ ืจืงื•ืจื“ืก.[1] ื”ืจืฉืช, ืฉืžื•ื ื” 60 ื—ื ื•ื™ื•ืช,[2] ืื—ืจืื™ืช ืขืœ ืคืจืกื•ื ืžืฆืขื“ื™ ื”ืžื•ื–ื™ืงื” ื‘ื˜ืื™ื•ื•ืืŸ.[3][4][5][6][7][8][9]

ืžืฆืขื“ื™ ืžื•ื–ื™ืงื”

[ืขืจื™ื›ืช ืงื•ื“ ืžืงื•ืจ | ืขืจื™ื›ื”]

ืžืฆืขื“ ื”ืžื•ื–ื™ืงื” ืฉืœ ื’'ื™-ืžื™ื•ื–ื™ืง ืคื•ืจืกื ืœืจืืฉื•ื ื” ื‘-7 ื‘ื™ื•ืœื™ 2005. ื”ืžืฆืขื“ ืžืฆื™ื’ ืืช 20 ื”ืฉื™ืจื™ื ื•ื”ืืœื‘ื•ืžื™ื ื”ื ืžื›ืจื™ื ื‘ื™ื•ืชืจ ื‘ื˜ืื™ื•ื•ืืŸ, ืœืœื ืงืฉืจ ืœืœืื•ื, ืฉืคื” ืื• ื–'ืื ืจ. ืžืฆืขื“ ืžื•ื–ื™ืงื” ื–ื” ื›ื•ืœืœ ืืช ืื—ื•ื– ื”ืžื›ื™ืจื•ืช ืฉืœ ื”ืกื™ื ื’ืœ/ืืœื‘ื•ื ื”ืกืคืฆื™ืคื™ ืžืชื•ืš ื›ืœืœ ื”ืฉื™ืจื™ื ื•ื”ืืœื‘ื•ืžื™ื ืฉื ืžื›ืจื• ื‘ืื•ืชื• ืฉื‘ื•ืข.

ืžืฆืขื“ื™ ืžื•ื–ื™ืงื” ื ื•ืกืคื™ื

[ืขืจื™ื›ืช ืงื•ื“ ืžืงื•ืจ | ืขืจื™ื›ื”]

ื‘ื ื•ืกืฃ ืœืžืฆืขื“ ื”ืžื•ื–ื™ืงื” ื”ืจืืฉื™, ื™ืฉ ืฉืžื•ื ื” ืžืฆืขื“ื™ ืžื•ื–ื™ืงื” ืื—ืจื™ื (ื›ืืฉืจ ืจืง ืฉื‘ืขื” ืžื”ื ืคืขื™ืœื™ื). ืžืฆืขื“ื™ื ืืœื• ืคื•ืจืกืžื• ืœืจืืฉื•ื ื” ื‘-7 ื‘ื™ื•ืœื™ 2007. ืžืฆืขื“ื™ ืžื•ื–ื™ืงื” ืืœื• ื›ื•ืœืœื™ื ืืช ืื—ื•ื– ื”ืžื›ื™ืจื•ืช ืฉืœ ื”ืกื™ื ื’ืœ/ืืœื‘ื•ื ื”ืกืคืฆื™ืคื™ ืžืชื•ืš ื›ืœืœ ื”ืฉื™ืจื™ื ื•ื”ืืœื‘ื•ืžื™ื ืฉื ืžื›ืจื• ื‘ืื•ืชื• ืฉื‘ื•ืข, ื‘ื”ืชืื ืœืชืช-ืงื˜ื’ื•ืจื™ื” ืฉื‘ื” ื”ื ื ืžืฆืื™ื.

  • ื”ืžืฆืขื“ ื”ืžื ื“ืจื™ื ื™ โ€“ ืžื“ืจื’ ืกื™ื ื’ืœื™ื/ืืœื‘ื•ืžื™ื ืฉื›ื•ืœืœื™ื ืืช ื”ืžื ื“ืจื™ื ื™ืช.
  • ื”ืžืฆืขื“ ื”ืžืขืจื‘ื™ โ€“ ืžื“ืจื’ ื‘ืขื™ืงืจ ืกื™ื ื’ืœื™ื/ืืœื‘ื•ืžื™ื ื‘ืื ื’ืœื™ืช ืžืืžืจื™ืงื” ื”ืฆืคื•ื ื™ืช, ืื™ืจื•ืคื” ืื• ืžื“ื™ื ื•ืช ืžืขืจื‘ื™ื•ืช ืื—ืจื•ืช.
  • ืžืฆืขื“ ื”ื’'ื™ื™-ืคื•ืค โ€“ ืžื“ืจื’ ืืœื‘ื•ืžื™ื ืฉืื™ื ื ื‘ืกื™ื ื™ืช (ื”ืžืฆืขื“ ื ืงืจื ื‘ืžืงื•ืจ ืขืœ ื”ื’ืจืกืื•ืช ื”ื™ืคื ื™ื•ืช, ืื ื›ื™ ืžืฆื™ื’ ื™ื•ืชืจ ื’ืจืกืื•ืช ื‘ืงื•ืจื™ืื ื™ืช).
  • ืžืฆืขื“ ื”ื’'ืื– โ€“ ืžื“ืจื’ ืกื™ื ื’ืœื™ื/ืืœื‘ื•ืžื™ื ื’'ืื–, ืœืœื ืงืฉืจ ืœืœืื•ื ืื• ืฉืคื”.
  • ื”ืžืฆืขื“ ื”ืงืœืืกื™ โ€“ ืžื“ืจื’ ืกื™ื ื’ืœื™ื/ืืœื‘ื•ืžื™ื ืงืœืืกื™ื™ื, ืœืœื ืงืฉืจ ืœืœืื•ื ืื• ืฉืคื”.
  • ืžืฆืขื“ ื”ืื•ื“ื™ื•/ื•ื™ื“ืื• โ€“ ืžื“ืจื’ ืžื”ื“ื•ืจื•ืช DVD ื•ื‘ืœื•-ืจื™ื™ ื”ืงืฉื•ืจื•ืช ืœืžื•ื–ื™ืงื”, ืœืœื ืงืฉืจ ืœืœืื•ื, ืฉืคื” ืื• ื–'ืื ืจ.
  • ื”ืžืฆืขื“ ื”ื‘ื™ืŸ-ืœืื•ืžื™ โ€“ ืžื“ื•ืจื’ ืœืื—ืจื™ ืื™ื—ื•ื“ ืฉืœ ื”ืžืฆืขื“ ื”ืžืขืจื‘ื™ ืœืžืฆืขื“ ื”ื’'ื™ื™-ืคื•ืค.

ื‘ื ื•ืกืฃ ืœืืœื•, ื ื•ืฆืจ ื‘ืชื—ื™ืœืช 2006, ืžืฆืขื“ ื”ืกื™ื ื’ืœื™ื ื”ืกื™ื ื™ื™ื ื”ืžื•ื‘ื™ืœื™ื. ื™ืฆืื• ืฉืชื™ ื’ืจืกืื•ืช ืฉืœ ื”ืžืฆืขื“: ืื—ื“ ืขื‘ื•ืจ ืกื™ืŸ ื”ื™ื‘ืฉืชื™ืช ื•ื”ืฉื ื™ ืขื‘ื•ืจ ื”ื•ื ื’ ืงื•ื ื’ ื•ื˜ืื™ื•ื•ืืŸ. ื”ืคืจืกื•ื ื”ืื—ืจื•ืŸ ืฉืœ ืžืฆืขื“ ื–ื” ื”ื™ื” ื‘ืกืคื˜ืžื‘ืจ 2008.

ืงื™ืฉื•ืจื™ื ื—ื™ืฆื•ื ื™ื™ื

[ืขืจื™ื›ืช ืงื•ื“ ืžืงื•ืจ | ืขืจื™ื›ื”]

ื”ืขืจื•ืช ืฉื•ืœื™ื™ื

[ืขืจื™ื›ืช ืงื•ื“ ืžืงื•ืจ | ืขืจื™ื›ื”]
  1. โ†‘ "Company Overview of G-Music Limited". Bloomberg Businessweek. ืืจื›ื™ื•ืŸ ืž-2022-10-23.
  2. โ†‘ Bernstein, Arthur; Sekine, Naoki; Weissman, Dick (2013), The Global Music Industry: Three Perspectives, Routledge, ISBNย 9781135922474
  3. โ†‘ Moskowitz, Marc L. (2010), Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations, University of Hawaii Press, ISBNย 9780824833695, ืืจื›ื™ื•ืŸ ืž-2022-10-23
  4. โ†‘ Billboard
  5. โ†‘ Tachung Records Classical Store, ๅคง็œพๅ”ฑ็‰‡่กŒ(่จฑๆ˜Œๅบ—), ๅฐๅŒ—ๅธ‚่จฑๆ˜Œ่ก—24่™Ÿ, (02)2389-3611.
  6. โ†‘ Sung, Sang-Yeon (2008), Globalization and the Regional Flow of Popular Music: The Role of the Korean Wave (Hanliu) in the Construction of Taiwanese Identities and Asian Values, ISBNย 9780549703242
  7. โ†‘ "FT Island's 4th Album Hits #1 on Taiwan's Weekly Music Chart". Korean Broadcasting System. 16 ื‘ืื•ืงื˜ื•ื‘ืจ 2012. ืืจื›ื™ื•ืŸ ืž-2021-07-30.
  8. โ†‘ Wang, Amber (24 ื‘ื™ื•ื ื™ 2012). "Asian stars go overseas to find fame". Taipei Times. ืืจื›ื™ื•ืŸ ืž-2022-10-23.
  9. โ†‘ "Taiwan indie label B'in Music goes back to basics: good material, live shows". The Straits Times. Singapore Press Holdings. 6 ื‘ืžืจืฅ 2013. ืื•ืจื›ื‘ ืž-ื”ืžืงื•ืจ ื‘-24 ื‘ืžืจืฅ 2014.