Crossmodality
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Recent papers in Crossmodality
The present study aimed to investigate whether or not the so-called “bouba-kiki” effect is mediated by speech-specific representations. Sine-wave versions of naturally produced pseudowords were used as auditory stimuli in an implicit... more
Mathematics can help investigate hidden patterns and structures in music and visual arts. Also, math in and of itself possesses an intrinsic beauty. We can explore such a specific beauty through the comparison of objects and processes in... more
Crossmodal storytelling is increasingly popular in contemporary culture, as images combine with text. Simultaneously, we lack skills in crossmodal literacy. The aim of this paper is to outline a cross-modalities method to storytelling for... more
Audio quality is known to cross-modally influence reaction speed, sense of presence, and visual quality. We designed an experiment to test the effect of audio quality on source localization. Stimuli with different MP3 compression rates,... more
The current study aims to examine cross modal transference of valence from the auditory to the visual domain, conducting a simultaneous presentation task with 40 participants. Furthermore, what is of particular interest in this experiment... more
This volume is a German translation of Hans Richter: Encounters, Ex. Cat., New York : DelMonico/Prestel and The Los Angeles County Museum of Art, 2013.
http://vimeo.com/fluxations/mc1 An improvised audio-visual (interactive dance) performance by Joshua B. Mailman, employing the Fluxations interactive system developed by him and Sofia Paraskeva. Body movement controls the music and... more
Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed... more
"http://vimeo.com/fluxations/mc2 An improvised audio-visual (interactive dance) performance by Joshua B. Mailman, employing the Fluxations interactive system developed by him and Sofia Paraskeva. Body movement controls the music and... more
This chapter examines the earliest fully realised abstract animated films, produced in Germany in the 1920s by Hans Richter, Viking Eggeling and Walther Ruttman. The time-based medium of film offered these artists an opportunity to... more
Discusses the efforts of New Zealand artist Len Lye to use cinema as a source of somatic rejuvenation in the 1930s.
Synaesthesia is a word deriving from the ancient Greek σύν (syn), "together," and αἴσθησις (aisthēsis), "sensation," which means "joined perception". Although at school you have been probably taught that synaesthesia only pertains to... more

