Integral Traditionalism
"Reprinted in: Esotericism, Religion, and Politics. Edited by Arthur Versluis, Lee Irwin, and Melinda Phillips. New Cultures Press 2012. Pp. 129-154. Comment by Mark Sedgwick:... more
"Reprinted in: Esotericism, Religion, and Politics. Edited by Arthur Versluis, Lee Irwin, and Melinda Phillips. New Cultures Press 2012. Pp. 129-154.
Comment by Mark Sedgwick: http://traditionalistblog.blogspot.com/2009/09/is-dugin-traditionalist.html
Rebuttal by Anton Shekhovtsov: http://anton-shekhovtsov.blogspot.com/2009/11/is-aleksandr-dugin-traditionalist.html
The opposite view by a Duginist: http://evrazia.org/article/1315"
Comment by Mark Sedgwick: http://traditionalistblog.blogspot.com/2009/09/is-dugin-traditionalist.html
Rebuttal by Anton Shekhovtsov: http://anton-shekhovtsov.blogspot.com/2009/11/is-aleksandr-dugin-traditionalist.html
The opposite view by a Duginist: http://evrazia.org/article/1315"
The Code of Canon Law of 1917 is a response to the requests made by canonists and the Fathers of Vatican I to make canon law more accessible and to remove obsolete norms. Beside these requirements of a technical nature, historians of... more
The Code of Canon Law of 1917 is a response to the requests made by canonists and the Fathers of Vatican I to make canon law more accessible and to remove obsolete norms. Beside these requirements of a technical nature, historians of canon law mention other motives of an ideological nature. The codification (according to them) came about as a result of the avowed will of the Church, a societas perfecta, to assert its power of jurisdiction against the modern State. A re-reading of the motu proprio "Arduum sane munus" (1904) of Pius X announcing the work on the code highlights the second argument : the Code should contribute to restoring a Christian social order, an objective of uncompromising policy of Pius X and his predecessors. This restoration should include the moulding of a well-formed clergy, anti-modernism and the formation of the faithfull. Does the legislator reflect this policy ? Does the Code of 1917 savour of intransigence ? The reply is a qualified one.
""By Mark DeKay. Edited Susanne Bennett "This book offers practical and theoretical tools for more effective sustainable design solutions and for communicating sustainable design ideas to today's diverse stakeholders. It uses... more
""By Mark DeKay. Edited Susanne Bennett
"This book offers practical and theoretical tools for more effective sustainable design solutions and for communicating sustainable design ideas to today's diverse stakeholders.
It uses integral theory to make sense of the many competing ideas in this area and offers a powerful conceptual framework for sustainable designers through the four main perspectives of: behaviours; systems; experiences; cultures.
It also uses human developmental theory to reframe sustainable design across four levels of complexity present in society: the Traditional, Modern, Postmodern, and Integral waves. Profuse with illustrations and examples, the book offers many conceptual tools including:
β’Β twelve principles of integral sustainable design
β’ sixteen prospects of sustainable design
β’ six perceptual shifts for ecological design thinking
β’ five levels of sustainable design aesthetics
β’ ten injunctions for designing connections to nature."""
"This book offers practical and theoretical tools for more effective sustainable design solutions and for communicating sustainable design ideas to today's diverse stakeholders.
It uses integral theory to make sense of the many competing ideas in this area and offers a powerful conceptual framework for sustainable designers through the four main perspectives of: behaviours; systems; experiences; cultures.
It also uses human developmental theory to reframe sustainable design across four levels of complexity present in society: the Traditional, Modern, Postmodern, and Integral waves. Profuse with illustrations and examples, the book offers many conceptual tools including:
β’Β twelve principles of integral sustainable design
β’ sixteen prospects of sustainable design
β’ six perceptual shifts for ecological design thinking
β’ five levels of sustainable design aesthetics
β’ ten injunctions for designing connections to nature."""
"Chi si serve oggi del medioevo? Tutti. La politica attuale lo usa come una miniera da cui estrarre esempi e modelli ritenuti utili per capire il presente. Identificato con i Β«secoli buiΒ», il medioevo Γ¨ presentato come modello perfetto... more
"Chi si serve oggi del medioevo? Tutti.
La politica attuale lo usa come una miniera da cui estrarre esempi e modelli ritenuti utili per capire il presente. Identificato con i Β«secoli buiΒ», il medioevo Γ¨ presentato come modello perfetto per spiegarci i Β«nuovi barbariΒ», lo Β«scontro di civiltΓ Β» e il terrore che il nostro mondo stia per finire. Al contrario, se considerato come il tempo dei cavalieri e delle origini eroiche, il medioevo assume una funzione mitica per moltissimi gruppi politici e comunitΓ organizzate, che lo usano per affermare la propria originale identitΓ .
Questa attualizzazione del medioevo, spesso una vera e propria invenzione delle tradizioni, va sotto il nome di Β«medievalismoΒ». La sua analisi Γ¨ una chiave nuova e inusuale per leggere la societΓ contemporanea e gli indirizzi che sta percorrendo.
Dalla militanza politica allo svago new age, dai tornei cittadini al tradizionalismo identitario cattolico, fino ai richiami alle origini dell'Europa unita e alla mitologia della Lega Nord, Tommaso di Carpegna propone con gli strumenti del medievista, ma con lo sguardo puntato all'attualitΓ , un appassionante percorso che si snoda dagli anni Sessanta e raggiunge i drammatici giorni degli attentati in Norvegia del Β«templare Β» Breivik.
"
La politica attuale lo usa come una miniera da cui estrarre esempi e modelli ritenuti utili per capire il presente. Identificato con i Β«secoli buiΒ», il medioevo Γ¨ presentato come modello perfetto per spiegarci i Β«nuovi barbariΒ», lo Β«scontro di civiltΓ Β» e il terrore che il nostro mondo stia per finire. Al contrario, se considerato come il tempo dei cavalieri e delle origini eroiche, il medioevo assume una funzione mitica per moltissimi gruppi politici e comunitΓ organizzate, che lo usano per affermare la propria originale identitΓ .
Questa attualizzazione del medioevo, spesso una vera e propria invenzione delle tradizioni, va sotto il nome di Β«medievalismoΒ». La sua analisi Γ¨ una chiave nuova e inusuale per leggere la societΓ contemporanea e gli indirizzi che sta percorrendo.
Dalla militanza politica allo svago new age, dai tornei cittadini al tradizionalismo identitario cattolico, fino ai richiami alle origini dell'Europa unita e alla mitologia della Lega Nord, Tommaso di Carpegna propone con gli strumenti del medievista, ma con lo sguardo puntato all'attualitΓ , un appassionante percorso che si snoda dagli anni Sessanta e raggiunge i drammatici giorni degli attentati in Norvegia del Β«templare Β» Breivik.
"
Research Interests:
Political History, History of Ideas, Mythology, Crusades, National Identity, and 27 moreContemporary History, Cultural Nationalism, Italian Studies, Medievalism, Italo Calvino, Stereotypes and Prejudice, History of Historiography, Mythology And Folklore, Nationalism, Italian Politics, Cultural History, Medieval Studies, Medieval History, History, Writing and Memory, Invention of Traditions, Knights Templar, Italian Cultural Studies, Traditionalism, Integral Traditionalism, Knowledge Traditionalism, Catholic Traditionalism, Barbarian Perceptions, Right Wing Terrorism, Pier Paolo Pasolini, Politics of mythmaking, History of Nationalism, and Contemporary Medievalismedit
"I.1. ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½Π°Ρ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡ Π² ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ ΠΈ Π ΠΎΡΡΠΈΠΈ ΠΈ Β«ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠ΅Β» Π΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ: ΠΏΠ°ΡΠ°Π»Π»Π΅Π»ΠΈ ΠΈ ΡΠ°Π·Π»ΠΈΡΠΈΡ: ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΡΠΊΡ "ΠΠ²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ ΠΈ ΠΊΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½Π°Ρ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡ: ΡΠΎΠ±Π»Π°Π·Π½ Π°Π½ΡΠΈΠ·Π°ΠΏΠ°Π΄Π½ΠΈΡΠ΅ΡΡΠ²Π° Π² Π ΠΎΡΡΠΈΠΈ ΠΈ ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ" ΠΠ°ΡΡΠΈΠ½ ΠΠ°ΠΉΡΡΠ²Π΅Π½Π³Π΅Ρ... more
"I.1. ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½Π°Ρ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡ Π² ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ ΠΈ Π ΠΎΡΡΠΈΠΈ ΠΈ Β«ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠ΅Β» Π΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ: ΠΏΠ°ΡΠ°Π»Π»Π΅Π»ΠΈ ΠΈ ΡΠ°Π·Π»ΠΈΡΠΈΡ:
ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΡΠΊΡ
"ΠΠ²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ ΠΈ ΠΊΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½Π°Ρ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡ: ΡΠΎΠ±Π»Π°Π·Π½ Π°Π½ΡΠΈΠ·Π°ΠΏΠ°Π΄Π½ΠΈΡΠ΅ΡΡΠ²Π° Π² Π ΠΎΡΡΠΈΠΈ ΠΈ ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ"
ΠΠ°ΡΡΠΈΠ½ ΠΠ°ΠΉΡΡΠ²Π΅Π½Π³Π΅Ρ
"Β«ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½Π°Ρ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡΒ» Π² ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ ΠΈ Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΠ΅ Π΅Π²ΡΠ°Π·ΠΈΠΉΡΠ΅Π²: ΡΠΎΡΠΊΠΈ ΡΠΎΠΏΡΠΈΠΊΠΎΡΠ½ΠΎΠ²Π΅Π½ΠΈΡ"
ΠΠ°Π»Π΅ΡΠΈΠΉ Π‘Π΅Π½Π΄Π΅ΡΠΎΠ²
"ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½Π°Ρ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡ Π² ΠΏΠΎΡΡΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΌ ΠΈΠ·Π²ΠΎΠ΄Π΅: ΠΊΡΠ°ΡΠΊΠΈΠΉ ΠΎΡΠ΅ΡΠΊ ΠΎΡΠ½ΠΎΠ²Π½ΡΡ ΠΈΠ΄Π΅ΠΉ"
I.2. ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΡΠ³ΠΈΠ½:
ΠΠ°ΡΠ»Π΅Π½ ΠΠ°ΡΡΡΠ»Ρ
"ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΡΠ³ΠΈΠ½, ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΏΠΎΡΡΠ΅Π΄Π½ΠΈΠΊ: ΡΠ»ΠΈΡΠ½ΠΈΠ΅ ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ Π΄ΠΎΠΊΡΡΠΈΠ½ ΠΏΡΠ°Π²ΠΎΡΠ°Π΄ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΠΏΠ΅ΠΊΡΡΠ°"
ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΡΠΊΡ
"Β«Π’ΡΠ΅ΡΠΈΠΉ ΠΏΡΡΡΒ» ΠΈΠ»ΠΈ Π½Π°Π·Π°Π΄ Π² Β«Π’ΡΠ΅ΡΠΈΠΉ ΡΠ΅ΠΉΡ ?Β»
Π Β«Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΎΠΉΒ» Π³ΡΡΠΏΠΏΠ΅ Β«ΠΠ»Π΅ΠΌΠ΅Π½ΡΡΒ»"
ΠΠ½ΡΠΎΠ½ Π¨Π΅Ρ ΠΎΠ²ΡΠΎΠ²
"ΠΠ°Π»ΠΈΠ½Π³Π΅Π½Π΅ΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΏΡΠΎΠ΅ΠΊΡ Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²Π°: ΠΈΠ΄Π΅ΠΈ Π²ΠΎΠ·ΡΠΎΠΆΠ΄Π΅Π½ΠΈΡ Π² ΠΌΠΈΡΠΎΠ²ΠΎΠ·Π·ΡΠ΅Π½ΠΈΠΈ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠ° ΠΡΠ³ΠΈΠ½Π°"
ΠΠ½Π΄ΡΠ΅Π°Ρ Π£ΠΌΠ»Π°Π½Π΄
"ΠΠ°ΡΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ΅Π½Π΄Π΅Π½ΡΠΈΠΈ Π² ΡΡΡΡΠΊΠΎΠΌ Β«Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²Π΅Β»: ΠΎ Π·Π½Π°ΡΠ΅Π½ΠΈΠΈ Π²Π·Π»Π΅ΡΠ° ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠ° ΠΡΠ³ΠΈΠ½Π° Π΄Π»Ρ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΠΈ ΠΎΠ±ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ Π ΠΎΡΡΠΈΠΈ"
I.3. ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠ°Π½Π°ΡΠΈΠ½:
ΠΠ°ΡΠ»Π΅Π½ ΠΠ°ΡΡΡΠ»Ρ
"ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠ°Π½Π°ΡΠΈΠ½ ΠΈ Β«ΡΠΈΠ²ΠΈΠ»ΠΈΠ·Π°ΡΠΈΠΎΠ½Π½ΡΠΉ Π½Π°ΡΠΈΠΎΠ½Π°Π»ΠΈΠ·ΠΌΒ» Π² Π ΠΎΡΡΠΈΠΈ"
ΠΠ°ΡΠΈΠ½Π° ΠΠ΅ΡΠ½ΠΎΠ²Π°
"ΠΠΎΡΡΠΎΡΠ½Π°Ρ ΠΈΠ½ΠΊΠ°ΡΠ½Π°ΡΠΈΡ Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΈΡ Β«Π½ΠΎΠ²ΡΡ ΠΏΡΠ°Π²ΡΡ Β»: ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠ°Π½Π°ΡΠΈΠ½ ΠΈ Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΈΠΉ Π΄ΠΈΡΠΊΡΡΡ Π² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ Π ΠΎΡΡΠΈΠΈ""
ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΡΠΊΡ
"ΠΠ²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ ΠΈ ΠΊΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½Π°Ρ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡ: ΡΠΎΠ±Π»Π°Π·Π½ Π°Π½ΡΠΈΠ·Π°ΠΏΠ°Π΄Π½ΠΈΡΠ΅ΡΡΠ²Π° Π² Π ΠΎΡΡΠΈΠΈ ΠΈ ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ"
ΠΠ°ΡΡΠΈΠ½ ΠΠ°ΠΉΡΡΠ²Π΅Π½Π³Π΅Ρ
"Β«ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½Π°Ρ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡΒ» Π² ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ ΠΈ Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΠ΅ Π΅Π²ΡΠ°Π·ΠΈΠΉΡΠ΅Π²: ΡΠΎΡΠΊΠΈ ΡΠΎΠΏΡΠΈΠΊΠΎΡΠ½ΠΎΠ²Π΅Π½ΠΈΡ"
ΠΠ°Π»Π΅ΡΠΈΠΉ Π‘Π΅Π½Π΄Π΅ΡΠΎΠ²
"ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½Π°Ρ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡ Π² ΠΏΠΎΡΡΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΌ ΠΈΠ·Π²ΠΎΠ΄Π΅: ΠΊΡΠ°ΡΠΊΠΈΠΉ ΠΎΡΠ΅ΡΠΊ ΠΎΡΠ½ΠΎΠ²Π½ΡΡ ΠΈΠ΄Π΅ΠΉ"
I.2. ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΡΠ³ΠΈΠ½:
ΠΠ°ΡΠ»Π΅Π½ ΠΠ°ΡΡΡΠ»Ρ
"ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΡΠ³ΠΈΠ½, ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΏΠΎΡΡΠ΅Π΄Π½ΠΈΠΊ: ΡΠ»ΠΈΡΠ½ΠΈΠ΅ ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ Π΄ΠΎΠΊΡΡΠΈΠ½ ΠΏΡΠ°Π²ΠΎΡΠ°Π΄ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΠΏΠ΅ΠΊΡΡΠ°"
ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΡΠΊΡ
"Β«Π’ΡΠ΅ΡΠΈΠΉ ΠΏΡΡΡΒ» ΠΈΠ»ΠΈ Π½Π°Π·Π°Π΄ Π² Β«Π’ΡΠ΅ΡΠΈΠΉ ΡΠ΅ΠΉΡ ?Β»
Π Β«Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΎΠΉΒ» Π³ΡΡΠΏΠΏΠ΅ Β«ΠΠ»Π΅ΠΌΠ΅Π½ΡΡΒ»"
ΠΠ½ΡΠΎΠ½ Π¨Π΅Ρ ΠΎΠ²ΡΠΎΠ²
"ΠΠ°Π»ΠΈΠ½Π³Π΅Π½Π΅ΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΏΡΠΎΠ΅ΠΊΡ Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²Π°: ΠΈΠ΄Π΅ΠΈ Π²ΠΎΠ·ΡΠΎΠΆΠ΄Π΅Π½ΠΈΡ Π² ΠΌΠΈΡΠΎΠ²ΠΎΠ·Π·ΡΠ΅Π½ΠΈΠΈ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠ° ΠΡΠ³ΠΈΠ½Π°"
ΠΠ½Π΄ΡΠ΅Π°Ρ Π£ΠΌΠ»Π°Π½Π΄
"ΠΠ°ΡΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ΅Π½Π΄Π΅Π½ΡΠΈΠΈ Π² ΡΡΡΡΠΊΠΎΠΌ Β«Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²Π΅Β»: ΠΎ Π·Π½Π°ΡΠ΅Π½ΠΈΠΈ Π²Π·Π»Π΅ΡΠ° ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠ° ΠΡΠ³ΠΈΠ½Π° Π΄Π»Ρ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΠΈ ΠΎΠ±ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ Π ΠΎΡΡΠΈΠΈ"
I.3. ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠ°Π½Π°ΡΠΈΠ½:
ΠΠ°ΡΠ»Π΅Π½ ΠΠ°ΡΡΡΠ»Ρ
"ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠ°Π½Π°ΡΠΈΠ½ ΠΈ Β«ΡΠΈΠ²ΠΈΠ»ΠΈΠ·Π°ΡΠΈΠΎΠ½Π½ΡΠΉ Π½Π°ΡΠΈΠΎΠ½Π°Π»ΠΈΠ·ΠΌΒ» Π² Π ΠΎΡΡΠΈΠΈ"
ΠΠ°ΡΠΈΠ½Π° ΠΠ΅ΡΠ½ΠΎΠ²Π°
"ΠΠΎΡΡΠΎΡΠ½Π°Ρ ΠΈΠ½ΠΊΠ°ΡΠ½Π°ΡΠΈΡ Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΈΡ Β«Π½ΠΎΠ²ΡΡ ΠΏΡΠ°Π²ΡΡ Β»: ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠ°Π½Π°ΡΠΈΠ½ ΠΈ Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΈΠΉ Π΄ΠΈΡΠΊΡΡΡ Π² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ Π ΠΎΡΡΠΈΠΈ""
""ΠΠ²Π΅Π΄Π΅Π½ΠΈΠ΅: ΠΠ½Π΄ΡΠ΅Π°Ρ Π£ΠΌΠ»Π°Π½Π΄ "Π Π°ΡΡΠ²Π΅Ρ ΡΡΡΡΠΊΠΎΠ³ΠΎ ΡΠ»ΡΡΡΠ°Π½Π°ΡΠΈΠΎΠ½Π°Π»ΠΈΠ·ΠΌΠ° ΠΈ ΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΠ΅ ΡΠΎΠΎΠ±ΡΠ΅ΡΡΠ²Π° Π΅Π³ΠΎ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ" I.1. ΠΠ²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ ΠΈ Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ: ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΡΠΊΡ "ΠΠ²ΡΠ°Π·ΠΈΠΉΡΠΊΠ°Ρ ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ Π² Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΎΠΌ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΠ΅"... more
""ΠΠ²Π΅Π΄Π΅Π½ΠΈΠ΅:
ΠΠ½Π΄ΡΠ΅Π°Ρ Π£ΠΌΠ»Π°Π½Π΄
"Π Π°ΡΡΠ²Π΅Ρ ΡΡΡΡΠΊΠΎΠ³ΠΎ ΡΠ»ΡΡΡΠ°Π½Π°ΡΠΈΠΎΠ½Π°Π»ΠΈΠ·ΠΌΠ° ΠΈ ΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΠ΅ ΡΠΎΠΎΠ±ΡΠ΅ΡΡΠ²Π° Π΅Π³ΠΎ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ"
I.1. ΠΠ²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ ΠΈ Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ:
ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΡΠΊΡ
"ΠΠ²ΡΠ°Π·ΠΈΠΉΡΠΊΠ°Ρ ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ Π² Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΎΠΌ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΠ΅"
ΠΠ°Π΄ΠΈΠΌ Π ΠΎΡΡΠΌΠ°Π½
"Π ΠΏΠΎΠΈΡΠΊΠ°Ρ ΡΡΡΡΠΊΠΎΠΉ ΠΈΠ΄Π΅ΠΈ: ΠΏΠ»Π°ΡΠΎΠ½ΠΈΠ·ΠΌ ΠΈ Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ"
ΠΠ°ΡΠ»Π΅Π½ ΠΠ°ΡΡΡΠ»Ρ
"ΠΠ΅ΡΠ΅ΠΎΡΠΌΡΡΠ»Π΅Π½ΠΈΠ΅ ΠΈΠΌΠΏΠ΅ΡΠΈΠΈ Π² ΠΏΠΎΡΡΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΌ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π΅: Π½ΠΎΠ²Π°Ρ eΠ²ΡΠ°Π·ΠΈΠΉΡΠΊΠ°Ρ ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ"
ΠΠ½Π΄ΡΠ΅Π°Ρ Π£ΠΌΠ»Π°Π½Π΄
"Π€ΠΎΡΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΏΡΠ°Π²ΠΎΡΠ°Π΄ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Β«Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΎΠ³ΠΎΒ» ΠΈΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΡ Π² Π ΠΎΡΡΠΈΠΈ (1989-2001 Π³Π³.)"
ΠΠ°Π»Π΅ΡΠΈΠΉ Π‘Π΅Π½Π΄Π΅ΡΠΎΠ²
"ΠΠ΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ: ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΡ, ΠΎΠΏΠ°ΡΠ½ΠΎΡΡΠΈ, ΠΏΠ΅ΡΡΠΏΠ΅ΠΊΡΠΈΠ²Ρ"
ΠΠΈΠΊΡΠΎΡ Π¨Π½ΠΈΡΠ΅Π»ΡΠΌΠ°Π½
"ΠΠ²ΡΠ°Π·ΠΈΡ ΠΈΠ»ΠΈ ΠΠ²ΡΠΎΠΏΠ°? Π ΠΎΠ»Ρ Π£ΠΊΡΠ°ΠΈΠ½Ρ Π² Π΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΎΠΌ ΠΈ ΠΠ²ΡΠ°Π·ΠΈΠΈ Π² ΡΠΊΡΠ°ΠΈΠ½ΡΠΊΠΎΠΌ Π΄ΠΈΡΠΊΡΡΡΠ΅"
ΠΠ½Π°ΡΡΠ°ΡΠΈΡ ΠΠΈΡΡΠΎΡΠ°Π½ΠΎΠ²Π°
"ΠΠ»Π΅ΡΠΊ ΠΈ Π½ΠΈΡΠ΅ΡΠ° Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΎΠ³ΠΎ ΡΠ΅Π»ΠΈΠ³ΠΈΠΎΠ·Π½ΠΎ-ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΏΡΠΎΠ΅ΠΊΡΠ°"
ΠΠΎΡΠΈΡ Π‘ΡΠ΅ΠΏΠ°Π½ΠΎΠ²
"ΠΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΡΠ°Π»Ρ ΠΈ Π΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ Π² ΡΠΏΠΎΡ Ρ Π΅Π³ΠΎ ΠΌΠ°ΡΡΠΎΠ²ΠΎΠΉ Π²ΠΎΡΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΠΌΠΎΡΡΠΈ"
I.2. ΠΠ΅Π² ΠΡΠΌΠΈΠ»Π΅Π²:
ΠΠ°ΡΠ»Π΅Π½ ΠΠ°ΡΡΡΠ»Ρ
"ΠΠΏΡΡ ΡΡΠ°Π²Π½ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ Π°Π½Π°Π»ΠΈΠ·Π° ΡΠ΅ΠΎΡΠΈΠΈ ΡΡΠ½ΠΎΡΠ° ΠΡΠ²Π° ΠΡΠΌΠΈΠ»Π΅Π²Π° ΠΈ Π·Π°ΠΏΠ°Π΄Π½ΡΡ Π½ΠΎΠ²ΡΡ ΠΏΡΠ°Π²ΡΡ Π΄ΠΎΠΊΡΡΠΈΠ½"
ΠΠΈΠΊΡΠΎΡ Π¨Π½ΠΈΡΠ΅Π»ΡΠΌΠ°Π½
"ΠΠ΅Π² ΠΡΠΌΠΈΠ»Π΅Π²: ΠΎΡ Β«ΠΏΠ°ΡΡΠΈΠΎΠ½Π°ΡΠ½ΠΎΠ³ΠΎ Π½Π°ΠΏΡΡΠΆΠ΅Π½ΠΈΡΒ» Π΄ΠΎ Β«Π½Π΅ΡΠΎΠ²ΠΌΠ΅ΡΡΠΈΠΌΠΎΡΡΠΈ ΠΊΡΠ»ΡΡΡΡΒ»"""
ΠΠ½Π΄ΡΠ΅Π°Ρ Π£ΠΌΠ»Π°Π½Π΄
"Π Π°ΡΡΠ²Π΅Ρ ΡΡΡΡΠΊΠΎΠ³ΠΎ ΡΠ»ΡΡΡΠ°Π½Π°ΡΠΈΠΎΠ½Π°Π»ΠΈΠ·ΠΌΠ° ΠΈ ΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΠ΅ ΡΠΎΠΎΠ±ΡΠ΅ΡΡΠ²Π° Π΅Π³ΠΎ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ"
I.1. ΠΠ²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ ΠΈ Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ:
ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΡΠΊΡ
"ΠΠ²ΡΠ°Π·ΠΈΠΉΡΠΊΠ°Ρ ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ Π² Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΎΠΌ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΠ΅"
ΠΠ°Π΄ΠΈΠΌ Π ΠΎΡΡΠΌΠ°Π½
"Π ΠΏΠΎΠΈΡΠΊΠ°Ρ ΡΡΡΡΠΊΠΎΠΉ ΠΈΠ΄Π΅ΠΈ: ΠΏΠ»Π°ΡΠΎΠ½ΠΈΠ·ΠΌ ΠΈ Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ"
ΠΠ°ΡΠ»Π΅Π½ ΠΠ°ΡΡΡΠ»Ρ
"ΠΠ΅ΡΠ΅ΠΎΡΠΌΡΡΠ»Π΅Π½ΠΈΠ΅ ΠΈΠΌΠΏΠ΅ΡΠΈΠΈ Π² ΠΏΠΎΡΡΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΌ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π΅: Π½ΠΎΠ²Π°Ρ eΠ²ΡΠ°Π·ΠΈΠΉΡΠΊΠ°Ρ ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ"
ΠΠ½Π΄ΡΠ΅Π°Ρ Π£ΠΌΠ»Π°Π½Π΄
"Π€ΠΎΡΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΏΡΠ°Π²ΠΎΡΠ°Π΄ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Β«Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΎΠ³ΠΎΒ» ΠΈΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΡ Π² Π ΠΎΡΡΠΈΠΈ (1989-2001 Π³Π³.)"
ΠΠ°Π»Π΅ΡΠΈΠΉ Π‘Π΅Π½Π΄Π΅ΡΠΎΠ²
"ΠΠ΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ: ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΡ, ΠΎΠΏΠ°ΡΠ½ΠΎΡΡΠΈ, ΠΏΠ΅ΡΡΠΏΠ΅ΠΊΡΠΈΠ²Ρ"
ΠΠΈΠΊΡΠΎΡ Π¨Π½ΠΈΡΠ΅Π»ΡΠΌΠ°Π½
"ΠΠ²ΡΠ°Π·ΠΈΡ ΠΈΠ»ΠΈ ΠΠ²ΡΠΎΠΏΠ°? Π ΠΎΠ»Ρ Π£ΠΊΡΠ°ΠΈΠ½Ρ Π² Π΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΎΠΌ ΠΈ ΠΠ²ΡΠ°Π·ΠΈΠΈ Π² ΡΠΊΡΠ°ΠΈΠ½ΡΠΊΠΎΠΌ Π΄ΠΈΡΠΊΡΡΡΠ΅"
ΠΠ½Π°ΡΡΠ°ΡΠΈΡ ΠΠΈΡΡΠΎΡΠ°Π½ΠΎΠ²Π°
"ΠΠ»Π΅ΡΠΊ ΠΈ Π½ΠΈΡΠ΅ΡΠ° Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΠΊΠΎΠ³ΠΎ ΡΠ΅Π»ΠΈΠ³ΠΈΠΎΠ·Π½ΠΎ-ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΏΡΠΎΠ΅ΠΊΡΠ°"
ΠΠΎΡΠΈΡ Π‘ΡΠ΅ΠΏΠ°Π½ΠΎΠ²
"ΠΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΡΠ°Π»Ρ ΠΈ Π΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎ Π² ΡΠΏΠΎΡ Ρ Π΅Π³ΠΎ ΠΌΠ°ΡΡΠΎΠ²ΠΎΠΉ Π²ΠΎΡΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΠΌΠΎΡΡΠΈ"
I.2. ΠΠ΅Π² ΠΡΠΌΠΈΠ»Π΅Π²:
ΠΠ°ΡΠ»Π΅Π½ ΠΠ°ΡΡΡΠ»Ρ
"ΠΠΏΡΡ ΡΡΠ°Π²Π½ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ Π°Π½Π°Π»ΠΈΠ·Π° ΡΠ΅ΠΎΡΠΈΠΈ ΡΡΠ½ΠΎΡΠ° ΠΡΠ²Π° ΠΡΠΌΠΈΠ»Π΅Π²Π° ΠΈ Π·Π°ΠΏΠ°Π΄Π½ΡΡ Π½ΠΎΠ²ΡΡ ΠΏΡΠ°Π²ΡΡ Π΄ΠΎΠΊΡΡΠΈΠ½"
ΠΠΈΠΊΡΠΎΡ Π¨Π½ΠΈΡΠ΅Π»ΡΠΌΠ°Π½
"ΠΠ΅Π² ΠΡΠΌΠΈΠ»Π΅Π²: ΠΎΡ Β«ΠΏΠ°ΡΡΠΈΠΎΠ½Π°ΡΠ½ΠΎΠ³ΠΎ Π½Π°ΠΏΡΡΠΆΠ΅Π½ΠΈΡΒ» Π΄ΠΎ Β«Π½Π΅ΡΠΎΠ²ΠΌΠ΅ΡΡΠΈΠΌΠΎΡΡΠΈ ΠΊΡΠ»ΡΡΡΡΒ»"""
Research Interests:
Research Interests:
"I.1. ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½ΡΠ΅ ΠΊΡΠΈΡΠΈΠΊΠΈ ΠΠ°ΠΏΠ°Π΄Π° Π² ΡΠ°ΡΡΠΊΠΎΠΉ ΠΈΠΌΠΏΠ΅ΡΠΈΠΈ: ΠΠΈΡ
Π°ΠΈΠ» Π‘ΡΡΠ»ΠΎΠ² "ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½ΡΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΡ Π² Π΄ΠΎΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΎΠ½Π½ΠΎΠΉ Π ΠΎΡΡΠΈΠΈ: ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΎΠ±Π·ΠΎΡ Π½ΠΎΠ²ΡΡ
ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΉ" ΠΠ΅ΡΡ Π ΡΠ±ΠΎΠ² "ΠΠΈΡ
Π°ΠΈΠ» ΠΠ°ΡΠΊΠΎΠ² ΠΈΠ»ΠΈ ΠΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ ΠΡ
ΡΠ°Π½ΠΊΠΈ: ΠΏΠΎ ΠΏΠΎΠ²ΠΎΠ΄Ρ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΠ±ΠΎΡΠ½ΠΈΠΊΠ°... more
"I.1. ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½ΡΠ΅ ΠΊΡΠΈΡΠΈΠΊΠΈ ΠΠ°ΠΏΠ°Π΄Π° Π² ΡΠ°ΡΡΠΊΠΎΠΉ ΠΈΠΌΠΏΠ΅ΡΠΈΠΈ:
ΠΠΈΡ Π°ΠΈΠ» Π‘ΡΡΠ»ΠΎΠ²
"ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½ΡΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΡ Π² Π΄ΠΎΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΎΠ½Π½ΠΎΠΉ Π ΠΎΡΡΠΈΠΈ: ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΎΠ±Π·ΠΎΡ Π½ΠΎΠ²ΡΡ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΉ"
ΠΠ΅ΡΡ Π ΡΠ±ΠΎΠ²
"ΠΠΈΡ Π°ΠΈΠ» ΠΠ°ΡΠΊΠΎΠ² ΠΈΠ»ΠΈ ΠΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ ΠΡ ΡΠ°Π½ΠΊΠΈ: ΠΏΠΎ ΠΏΠΎΠ²ΠΎΠ΄Ρ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΠ±ΠΎΡΠ½ΠΈΠΊΠ° ΡΡΠ°ΡΠ΅ΠΉ"
I.2. Π Π°Π·Π½ΠΎΠ²ΠΈΠ΄Π½ΠΎΡΡΠΈ ΠΏΠΎΡΡΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ ΠΊΡΠ΅Π½ΠΎΡΠΎΠ±ΠΈΠΈ ΠΈ ΠΊΠΎΠ½ΡΠΏΠΈΡΠΎΠ»ΠΎΠ³ΠΈΠΈ:
ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠ΅ΡΡ ΠΎΠ²ΡΠΊΠΈΠΉ, ΠΠΌΠΈΠ»Ρ ΠΠ°ΠΈΠ½
"Π¦ΠΈΠ²ΠΈΠ»ΠΈΠ·Π°ΡΠΈΠΎΠ½Π½ΡΠΉ Π½Π°ΡΠΈΠΎΠ½Π°Π»ΠΈΠ·ΠΌ: ΡΠΎΡΡΠΈΠΉΡΠΊΠ°Ρ Π²Π΅ΡΡΠΈΡ Β«ΠΎΡΠΎΠ±ΠΎΠ³ΠΎ ΠΏΡΡΠΈΒ»"
ΠΠ°Π»Π΅ΡΠΈΠΉ Π‘Π΅Π½Π΄Π΅ΡΠΎΠ²
"'ΠΡoΠ΅ΠΊΡ Π ΠΎΡΡΠΈΡ' ΠΏΡΠΎΡΠΈΠ² ΡΡΡΡΠΊΠΎΠ³ΠΎ Π΅Π²ΡΠΎΠΏΠ΅ΠΈΠ·ΠΌΠ°: ΠΏΠΎ ΠΏΠΎΠ²ΠΎΠ΄Ρ ΠΎΠ΄Π½ΠΎΠΉ ΠΌΠ½ΠΎΠ³ΠΎΡΠΈΡΠ°ΠΆΠ½ΠΎΠΉ ΠΊΠ½ΠΈΠ³ΠΈ"
I.3. ΠΠΎΡΡΠΊΠΎΠΌΠΌΡΠ½ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Β«Π½ΠΎΠ²ΠΎΠΏΡΠ°Π²ΡΠ΅Β» ΡΠ΅Π½Π΄Π΅Π½ΡΠΈΠΈ: ΡΡΠ°Π²Π½ΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ Π·Π°ΡΠΈΡΠΎΠ²ΠΊΠΈ:
ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΡΠ·ΡΠΌΠΈΠ½
"Β«ΠΠΎΠ²ΡΠ΅ ΠΏΡΠ°Π²ΡΠ΅Β» Π² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ Π ΠΎΡΡΠΈΠΈ: Π½Π° ΠΏΡΠΈΠΌΠ΅ΡΠ΅ ΠΆΡΡΠ½Π°Π»Π° 'ΠΡΠ΅Π½Π΅ΠΉ'"
ΠΠΈΡ Π°ΠΈΠ» Π‘ΠΎΠΊΠΎΠ»ΠΎΠ²
"Β«ΠΠΎΠ²ΡΠ΅ ΠΏΡΠ°Π²ΡΠ΅Β» ΠΈΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΡΠ°Π»Ρ Π² Π ΠΎΡΡΠΈΠΈ: ΡΡΡΠ°ΡΠ΅Π³ΠΈΠΈ Π»Π΅Π³ΠΈΡΠΈΠΌΠ°ΡΠΈΠΈ ΠΏΠΎΡΡΡΠΎΠ²Π΅ΡΡΠΊΠΈΡ ΠΈΠ½ΡΠ΅Π³ΡΠ°Π»ΡΠ½ΡΡ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π°Π»ΠΈΡΡΠΎΠ²"
ΠΠ½ΡΠΎΠ½ Π¨Π΅Ρ ΠΎΠ²ΡΠΎΠ², ΠΠ½Π΄ΡΠ΅Π°Ρ Π£ΠΌΠ»Π°Π½Π΄
"Philosophia Perennis ΠΈ Β«Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎΒ»: ΡΠΎΠ»Ρ ΠΈΠ½ΡΠ΅Π³ΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π°Π»ΠΈΠ·ΠΌΠ° Π² ΡΡΠΎΠΏΠΈΡΠ΅ΡΠΊΠΈΡ ΠΏΠΎΡΡΡΠΎΠ΅Π½ΠΈΡΡ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠ° ΠΡΠ³ΠΈΠ½Π°"
"
ΠΠΈΡ Π°ΠΈΠ» Π‘ΡΡΠ»ΠΎΠ²
"ΠΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΈΠ²Π½ΡΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΡ Π² Π΄ΠΎΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΎΠ½Π½ΠΎΠΉ Π ΠΎΡΡΠΈΠΈ: ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΎΠ±Π·ΠΎΡ Π½ΠΎΠ²ΡΡ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΉ"
ΠΠ΅ΡΡ Π ΡΠ±ΠΎΠ²
"ΠΠΈΡ Π°ΠΈΠ» ΠΠ°ΡΠΊΠΎΠ² ΠΈΠ»ΠΈ ΠΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ ΠΡ ΡΠ°Π½ΠΊΠΈ: ΠΏΠΎ ΠΏΠΎΠ²ΠΎΠ΄Ρ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΠ±ΠΎΡΠ½ΠΈΠΊΠ° ΡΡΠ°ΡΠ΅ΠΉ"
I.2. Π Π°Π·Π½ΠΎΠ²ΠΈΠ΄Π½ΠΎΡΡΠΈ ΠΏΠΎΡΡΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ ΠΊΡΠ΅Π½ΠΎΡΠΎΠ±ΠΈΠΈ ΠΈ ΠΊΠΎΠ½ΡΠΏΠΈΡΠΎΠ»ΠΎΠ³ΠΈΠΈ:
ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠ΅ΡΡ ΠΎΠ²ΡΠΊΠΈΠΉ, ΠΠΌΠΈΠ»Ρ ΠΠ°ΠΈΠ½
"Π¦ΠΈΠ²ΠΈΠ»ΠΈΠ·Π°ΡΠΈΠΎΠ½Π½ΡΠΉ Π½Π°ΡΠΈΠΎΠ½Π°Π»ΠΈΠ·ΠΌ: ΡΠΎΡΡΠΈΠΉΡΠΊΠ°Ρ Π²Π΅ΡΡΠΈΡ Β«ΠΎΡΠΎΠ±ΠΎΠ³ΠΎ ΠΏΡΡΠΈΒ»"
ΠΠ°Π»Π΅ΡΠΈΠΉ Π‘Π΅Π½Π΄Π΅ΡΠΎΠ²
"'ΠΡoΠ΅ΠΊΡ Π ΠΎΡΡΠΈΡ' ΠΏΡΠΎΡΠΈΠ² ΡΡΡΡΠΊΠΎΠ³ΠΎ Π΅Π²ΡΠΎΠΏΠ΅ΠΈΠ·ΠΌΠ°: ΠΏΠΎ ΠΏΠΎΠ²ΠΎΠ΄Ρ ΠΎΠ΄Π½ΠΎΠΉ ΠΌΠ½ΠΎΠ³ΠΎΡΠΈΡΠ°ΠΆΠ½ΠΎΠΉ ΠΊΠ½ΠΈΠ³ΠΈ"
I.3. ΠΠΎΡΡΠΊΠΎΠΌΠΌΡΠ½ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Β«Π½ΠΎΠ²ΠΎΠΏΡΠ°Π²ΡΠ΅Β» ΡΠ΅Π½Π΄Π΅Π½ΡΠΈΠΈ: ΡΡΠ°Π²Π½ΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ Π·Π°ΡΠΈΡΠΎΠ²ΠΊΠΈ:
ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΡΠ·ΡΠΌΠΈΠ½
"Β«ΠΠΎΠ²ΡΠ΅ ΠΏΡΠ°Π²ΡΠ΅Β» Π² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ Π ΠΎΡΡΠΈΠΈ: Π½Π° ΠΏΡΠΈΠΌΠ΅ΡΠ΅ ΠΆΡΡΠ½Π°Π»Π° 'ΠΡΠ΅Π½Π΅ΠΉ'"
ΠΠΈΡ Π°ΠΈΠ» Π‘ΠΎΠΊΠΎΠ»ΠΎΠ²
"Β«ΠΠΎΠ²ΡΠ΅ ΠΏΡΠ°Π²ΡΠ΅Β» ΠΈΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΡΠ°Π»Ρ Π² Π ΠΎΡΡΠΈΠΈ: ΡΡΡΠ°ΡΠ΅Π³ΠΈΠΈ Π»Π΅Π³ΠΈΡΠΈΠΌΠ°ΡΠΈΠΈ ΠΏΠΎΡΡΡΠΎΠ²Π΅ΡΡΠΊΠΈΡ ΠΈΠ½ΡΠ΅Π³ΡΠ°Π»ΡΠ½ΡΡ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π°Π»ΠΈΡΡΠΎΠ²"
ΠΠ½ΡΠΎΠ½ Π¨Π΅Ρ ΠΎΠ²ΡΠΎΠ², ΠΠ½Π΄ΡΠ΅Π°Ρ Π£ΠΌΠ»Π°Π½Π΄
"Philosophia Perennis ΠΈ Β«Π½Π΅ΠΎΠ΅Π²ΡΠ°Π·ΠΈΠΉΡΡΠ²ΠΎΒ»: ΡΠΎΠ»Ρ ΠΈΠ½ΡΠ΅Π³ΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π°Π»ΠΈΠ·ΠΌΠ° Π² ΡΡΠΎΠΏΠΈΡΠ΅ΡΠΊΠΈΡ ΠΏΠΎΡΡΡΠΎΠ΅Π½ΠΈΡΡ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠ° ΠΡΠ³ΠΈΠ½Π°"
"


