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Using historical approach and personal biography, this paper investigates the role of religion in Philippine politics. In their struggle for national and social liberation in the Philippines, Filipino Marxists, Christians, and nationalist... more
Using historical approach and personal biography, this paper investigates the role of religion in Philippine politics. In their struggle for national and social liberation in the Philippines, Filipino Marxists, Christians, and nationalist educators work in coalition with the broad masses of the people to educate and work for cooperation, mutual care, justice and peace. (pp. 217-223)
In this paper I propose to analyze Marx’s world of monsters, machines, and magic; a motley and fascinating cast of characters which populates his 19th Century Gothic landscape. Each of these characters are entwined in a common drama, but... more
In this paper I propose to analyze Marx’s world of monsters, machines, and magic; a motley and fascinating cast of characters which populates his 19th Century Gothic landscape. Each of these characters are entwined in a common drama, but also represent distinct themes and singular movements that Marx’s brings into a whole in Capital. There is much to see, but it is my hope that this tripartite structure can epitomize the highlighted moments and transitions that delineate the entire scope of Volume 1 of Capital. These three characters correspond to three themes. Magic denotes the production and circulation of commodities, the creation of money and the value-form, and the sleight-of-hand that produces the first instances of surplus-value. Machines are characterized by the revolutions in the technical process of labor, the historical transition from manufacture to the factory, and reveal the exploitation of the worker and his labor-power by capital. Monsters exemplifies capital itself, the structure of accumulation that feeds and perpetuates it as a systemic flaw, and the singular capitalist in the background whose guilt is never beyond doubt.
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"CALL FOR BOOK CHAPTERS: "MAPPING THE ALTERNATIVE MEDIA IN TURKEY" Editors: Barış Çoban & Bora Ataman Extended Deadline for abstracts: January 1st 2013 http://alternativemediamap.net/ We aim to map the alternative media in... more
"CALL FOR BOOK CHAPTERS: "MAPPING THE ALTERNATIVE MEDIA IN TURKEY"

Editors: Barış Çoban & Bora Ataman

Extended Deadline for abstracts:
January 1st 2013

http://alternativemediamap.net/

We aim to map the alternative media in Turkey, which is varied in form, structure and working styles such as “cracks”, “rhizomes” and “fronts”. Similarly to what has occurred with the mainstream media, both large and small examples of the alternative media, alongside their widespread prevalence inside the country, have also already transcended the national borders. We argue that mapping the alternative media, embracing newspapers, radio and television channels, cinemas, blogs, forums and platforms, essentially the full range of conventional and new media organs and vehicles, is one of the most useful research approaches to comprehending the nature of alternative politics in Turkey.

The alternative media works as a source of memory and an archive helping to understand the historical and current structure of alternative politics in Turkey. IT also gives voice to alternative ideologies and politics and makes their political activities visible. In addition, the alternative media, which mainly represents the “otherised”, oppressed and marginalised groups, forms the vanguard of struggle against the hegemony and barbarism of the oppressive, globalized neo-liberal society.

Alternative media, as an umbrella term, applies to those media organs which are typically bottom up organisations. In principle, their organizational structures and decision making processes are democratic, participatory, polyphonic and dialogic. Their opposition to the mainstream media finds its roots, in its form and content, in social and political struggles and is based in radical ideologies such as anarchism, radical democracy and Marxism. The existence of alternative media indicates the struggle to construct a truly democratic and free sphere of communication from a number of broad perspectives, varying from the idea of simply being independent from either the state or capital, to being completely opposed to them. In this context, it is also possible to claim that every organ of the alternative media, as a centre of subaltern resistance, is part of a greater alternative communication network.

This so-called alternative network (or networks) is/are the voice of different political or social groups, communities, minorities or even individuals at the grassroots level. Thus, they open the way for these groups to actively participate in political and social life, as either real “agents” or as “spectacles” in the field of symbolic struggle. Therefore, individuals or groups can find opportunities to get involved in both real and symbolic struggles for hegemony, not only as consumers, but also as producers; as active agents.

Therefore, alternative media institutions either on the micro- or macro-scale cannot be considered as combatants solely at the informational level. In addition to their struggle to gather, record and spread news and ideas concerning local, national and transnational problems, they also provide a response to the establishment through real political actions. It is not unusual to see their active participation in protests, or even note that they hold the leadership positions in the organisation of some of these dissident political actions. Therefore, their active struggle with the hegemonic powers can also be considered as an effort to create alternative political forms. More commonly however, alternative media operate as the symbolic production centre of alternative politics and as an incubation ground for the intellectual and ideological constructs of social movements.

Alternative media, along with other dissident institutions, are seen as paving the way for a brighter and more just future by being the voice of the voiceless and contributing to the imagining of a different world. Threatening so-called representative democracy by supporting participatory social, cultural and political activities is also deemed useful to this end. By engaging in such activities, they may be able to cause the transformation of political culture in general. More importantly, however, the ways in which subordinate constituents of the society interpret politics and their own means of participation could change in a positive manner. Moreover, such efforts may also lead to the construction of efficient counter-public spheres alongside the more common examples of alternative spaces.
Diverse anti-systemic, reformist and revolutionary ideological orientations, varied political discourses and different modes of action constituting the alternative media landscape mostly open up an opportunity for the “oppressed” to actively participate in these alternative political spaces that are, to a certain extent, diverse, colourful, vivid and, most importantly, innately dialogic.
In this context, we argue that the “duty” of academia should be to understand these alternatives without stigmatizing them as the source of conflicts within the prevailing social system. After all, we as editors, would like to study these initiatives since the imagining of an alternative world may only be possible by embracing the oppressed and their voice, even though the world around us is not particularly welcoming.

Abstracts of papers are sought on topics such as:
• Radical- militant media (affiliated with revolutionary organizations)
• Radical media (Struggling within legal parameters to push the limits of the existing system
• Identity and rights-based media (Human rights, labour and trade-union rights, gender, environment, ethnicity, struggles based on faith or denomination
• Transnational and diaspora-based alternative media
• Independent, objective, opposition media
• Dissident voices, “cracks” in the mainstream media

However, it should be noted that the categories above do not refer to independent categories with clear differences. It is possible to say that; most examples of the alternative media operating in Turkey can be included under more than one of the rubrics mentioned above. Nevertheless, the alternative media organs in Turkey, despite a degree of permeability in the boundaries that separate them, may be seen as belonging more to one or another of the above-mentioned classifications, therefore, these categories will constitute the book’s chapters.

Furthermore, we are mainly interested in the case studies (comparative if possible) and empirical research possessing theoretical and methodological clarity, and focusing on at least one of three basic dimensions of media studies; such as “Production”, “Text”, or “Audience”, without missing the multi-layered and intertwined relationships between these dimensions.

Abstracts of a maximum of 250 words in Turkish and English outlining the topic, theoretical and methodological approach as well as the research question, should be submitted to either Barış Çoban (bcoban@dogus.edu.tr) or Bora Ataman (bataman@dogus.edu.tr) until January1st 2013.

Announcement of the abstracts selected will be made by February 1 2013.

The deadline for full paper submissions is August 1, 2013

The editors are planning to publish book in Turkish and English and have made an agreement with Yordam, to publish in January 2014.

After the evaluation of the abstracts, negotiations with foreign publishing houses will begin for the English version.
Barış Çoban & Bora Ataman (Eds.)
Extended Deadline for Research Proposals: January 1st, 2013"
Research Interests:
Creative Writing, Screenwriting, Critical Theory, Critical Theory, Critical Theory, and 418 moreedit
In Gramsci, la relazione come elemento fondante dell’individualità implica un’idea di politica aperta al sociale. L’ opposizione alla visione liberale dell’individuo come monade. Le divisioni interne alla società, che vedono in conflitto... more
In Gramsci, la relazione come elemento fondante dell’individualità implica un’idea di politica aperta al sociale. L’ opposizione alla visione liberale dell’individuo come monade. Le divisioni interne alla società, che vedono in conflitto  conformismi» diversi che cercano il predominio, si riflettono sulla composizione interna dell’individuo.
Liberalism is a term employed in a dizzying variety of ways across the humanities and social sciences. This essay seeks to reframe how the liberal tradition is understood. I start by delineating different types of response – prescriptive,... more
Liberalism is a term employed in a dizzying variety of ways across the humanities and social sciences. This essay seeks to reframe how the liberal tradition is understood. I start by delineating different types of response – prescriptive, comprehensive, explanatory – that are frequently conflated in answering the question “what is liberalism?” I then discuss assorted methodological strategies employed in the existing literature: after rejecting “stipulative” and “canonical” approaches, I outline a contextualist alternative. On this (comprehensive) account, liberalism is best characterised as the sum of the arguments that have been classified as liberal, and recognised as such by other self-proclaimed liberals, over time. In the remainder of the article I present an historical analysis of shifts in the meaning of liberalism in Anglo-American political thought between 1850 and 1950, focusing in particular on how John Locke came to be seen as a liberal. I also explore the emergence of the category of "liberal democracy". I argue that the scope of the liberal tradition was massively expanded during the middle decades of the twentieth century, such that it came to be seen by many as the constitutive ideology of the West. This capacious (and deeply confusing) understanding of liberalism was produced by a conjunction of the ideological wars fought against “totalitarianism” and assorted developments in the social sciences. Today we both inherit and inhabit it.
Research Interests:
Critical Theory, British Literature, Discourse Analysis, History, American History, and 200 moreedit
The "Greek crisis" was officially inaugurated on May 2010 with the loan the Greek government took from the IMF-European Union-European Central Bank troika, the largest a country had ever taken (€110 bn). Since then, the social... more
The "Greek crisis" was officially inaugurated on May 2010 with the loan the Greek government took from the IMF-European Union-European Central Bank troika, the largest a country had ever taken (€110 bn). Since then, the social implications of this crisis have been dramatic. The form and the scale of social phenomena observed today in Greece and particularly in Athens--e.g., extreme poverty and inequality, profound police violence, organized racist violence--are unprecedented for the country. Nevertheless, a diachronic examination of some socio-spatial aspects of Athens reveals that the social character of the current crisis has been taking shape for some time. This article aims shed light on the social shape of the crisis by outlining three such socio-spatial dimensions as they materialized in the case of Athens during 1990s and 2000s: first, the emergence of new forms of social exclusion and inequality; second, the vast project of urban (re)development and the new spatialities it produced, and third the emergence of novel forms of political and xenophobic violence.

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