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" The problem of the nature of values and the relation between values and rationality is one of the defining issues of twentieth-century thought and Max Weber was one of the defining figures in the debate. In this book, Turner and... more
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The problem of the nature of values and the relation between values and rationality is one of the defining issues of twentieth-century thought and Max Weber was one of the defining figures in the debate. In this book, Turner and Factor consider the development of the dispute over Max Weber's contribution to this discourse, by showing how Weber's views have been used, revised and adapted in new contexts.

The story of the dispute is itself fascinating, for it cuts across the major political and intellectual currents of the twentieth century, from positivism, pragmatism and value-free social science, through the philosophy of Jaspers and Heidegger, to Critical Theory and the revival of Natural Right and Natural Law. As Weber's ideas were imported to Britain and America, they found new formulations and new adherents and critics and became absorbed into different traditions and new issues.

This book was first published in 1984."
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This paper examines how sound can be a part of race-making. It draws upon empirical research and a nurse’s account of 'noisy' mourning rituals in a multicultural hospice ward, I argue that the insurgent force of noise as a manifestation... more
This paper examines how sound can be a part of race-making. It draws upon empirical research and a nurse’s account of 'noisy' mourning rituals in a multicultural hospice ward, I argue that the insurgent force of noise as a manifestation of difference is a form of 'corporeal generosity' (Diprose, 2002), producing impossible dilemmas for care, whilst also provoking surprising ethical relations and potentialities. Derrida’s ideas about the aporias of the gift and absolute responsibility are used to make sense of the pushy generosity of otherness as it is made to matter through sound.
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"CALL FOR BOOK CHAPTERS: "MAPPING THE ALTERNATIVE MEDIA IN TURKEY" Editors: Barış Çoban & Bora Ataman Extended Deadline for abstracts: January 1st 2013 http://alternativemediamap.net/ We aim to map the alternative media in... more
"CALL FOR BOOK CHAPTERS: "MAPPING THE ALTERNATIVE MEDIA IN TURKEY"

Editors: Barış Çoban & Bora Ataman

Extended Deadline for abstracts:
January 1st 2013

http://alternativemediamap.net/

We aim to map the alternative media in Turkey, which is varied in form, structure and working styles such as “cracks”, “rhizomes” and “fronts”. Similarly to what has occurred with the mainstream media, both large and small examples of the alternative media, alongside their widespread prevalence inside the country, have also already transcended the national borders. We argue that mapping the alternative media, embracing newspapers, radio and television channels, cinemas, blogs, forums and platforms, essentially the full range of conventional and new media organs and vehicles, is one of the most useful research approaches to comprehending the nature of alternative politics in Turkey.

The alternative media works as a source of memory and an archive helping to understand the historical and current structure of alternative politics in Turkey. IT also gives voice to alternative ideologies and politics and makes their political activities visible. In addition, the alternative media, which mainly represents the “otherised”, oppressed and marginalised groups, forms the vanguard of struggle against the hegemony and barbarism of the oppressive, globalized neo-liberal society.

Alternative media, as an umbrella term, applies to those media organs which are typically bottom up organisations. In principle, their organizational structures and decision making processes are democratic, participatory, polyphonic and dialogic. Their opposition to the mainstream media finds its roots, in its form and content, in social and political struggles and is based in radical ideologies such as anarchism, radical democracy and Marxism. The existence of alternative media indicates the struggle to construct a truly democratic and free sphere of communication from a number of broad perspectives, varying from the idea of simply being independent from either the state or capital, to being completely opposed to them. In this context, it is also possible to claim that every organ of the alternative media, as a centre of subaltern resistance, is part of a greater alternative communication network.

This so-called alternative network (or networks) is/are the voice of different political or social groups, communities, minorities or even individuals at the grassroots level. Thus, they open the way for these groups to actively participate in political and social life, as either real “agents” or as “spectacles” in the field of symbolic struggle. Therefore, individuals or groups can find opportunities to get involved in both real and symbolic struggles for hegemony, not only as consumers, but also as producers; as active agents.

Therefore, alternative media institutions either on the micro- or macro-scale cannot be considered as combatants solely at the informational level. In addition to their struggle to gather, record and spread news and ideas concerning local, national and transnational problems, they also provide a response to the establishment through real political actions. It is not unusual to see their active participation in protests, or even note that they hold the leadership positions in the organisation of some of these dissident political actions. Therefore, their active struggle with the hegemonic powers can also be considered as an effort to create alternative political forms. More commonly however, alternative media operate as the symbolic production centre of alternative politics and as an incubation ground for the intellectual and ideological constructs of social movements.

Alternative media, along with other dissident institutions, are seen as paving the way for a brighter and more just future by being the voice of the voiceless and contributing to the imagining of a different world. Threatening so-called representative democracy by supporting participatory social, cultural and political activities is also deemed useful to this end. By engaging in such activities, they may be able to cause the transformation of political culture in general. More importantly, however, the ways in which subordinate constituents of the society interpret politics and their own means of participation could change in a positive manner. Moreover, such efforts may also lead to the construction of efficient counter-public spheres alongside the more common examples of alternative spaces.
Diverse anti-systemic, reformist and revolutionary ideological orientations, varied political discourses and different modes of action constituting the alternative media landscape mostly open up an opportunity for the “oppressed” to actively participate in these alternative political spaces that are, to a certain extent, diverse, colourful, vivid and, most importantly, innately dialogic.
In this context, we argue that the “duty” of academia should be to understand these alternatives without stigmatizing them as the source of conflicts within the prevailing social system. After all, we as editors, would like to study these initiatives since the imagining of an alternative world may only be possible by embracing the oppressed and their voice, even though the world around us is not particularly welcoming.

Abstracts of papers are sought on topics such as:
• Radical- militant media (affiliated with revolutionary organizations)
• Radical media (Struggling within legal parameters to push the limits of the existing system
• Identity and rights-based media (Human rights, labour and trade-union rights, gender, environment, ethnicity, struggles based on faith or denomination
• Transnational and diaspora-based alternative media
• Independent, objective, opposition media
• Dissident voices, “cracks” in the mainstream media

However, it should be noted that the categories above do not refer to independent categories with clear differences. It is possible to say that; most examples of the alternative media operating in Turkey can be included under more than one of the rubrics mentioned above. Nevertheless, the alternative media organs in Turkey, despite a degree of permeability in the boundaries that separate them, may be seen as belonging more to one or another of the above-mentioned classifications, therefore, these categories will constitute the book’s chapters.

Furthermore, we are mainly interested in the case studies (comparative if possible) and empirical research possessing theoretical and methodological clarity, and focusing on at least one of three basic dimensions of media studies; such as “Production”, “Text”, or “Audience”, without missing the multi-layered and intertwined relationships between these dimensions.

Abstracts of a maximum of 250 words in Turkish and English outlining the topic, theoretical and methodological approach as well as the research question, should be submitted to either Barış Çoban (bcoban@dogus.edu.tr) or Bora Ataman (bataman@dogus.edu.tr) until January1st 2013.

Announcement of the abstracts selected will be made by February 1 2013.

The deadline for full paper submissions is August 1, 2013

The editors are planning to publish book in Turkish and English and have made an agreement with Yordam, to publish in January 2014.

After the evaluation of the abstracts, negotiations with foreign publishing houses will begin for the English version.
Barış Çoban & Bora Ataman (Eds.)
Extended Deadline for Research Proposals: January 1st, 2013"
Research Interests:
Creative Writing, Screenwriting, Critical Theory, Critical Theory, Critical Theory, and 418 moreedit
"This paper offers a historical and philosophical reconstruction of Walter Benjamin’s account of political reason and direct political action. It shows that Benjamin’s 1921 essay “On the Critique of Violence” critically responds to Max... more
"This paper offers a historical and philosophical reconstruction of Walter Benjamin’s account of political reason and direct political action. It shows that Benjamin’s 1921 essay “On the Critique of Violence” critically responds to Max Weber’s account of politics and institutionally mediated political action (in Politics as a Vocation). Contra Weber’s account of purposive action and his
definition of violence as the defining means of political action, Benjamin treats ‘violence’ as an expressive limit-phenomenon. A specific agent manifests itself in violent acts. On the basis of
this expressive account of violence, Benjamin distinguishes between mythic violence (i.e. violence used instrumentally, which perpetuates a cycle of institutionalized aggression) and divine violence (i.e. a creative or constitutive violence that gives rise to new forms of subjectivity or agency by erasing institutional or historical limitations on collective action). Benjamin uses this distinction to argue that some violent acts (e.g. a general strike) are constitutive of a new collective agent, which Weber’s analysis treats as objectively impossible – i.e. structurally
excluded by the basic structures defining an institutional or historical setting. This allows Benjamin to salvage Weber’s ‘ethic of conviction’ for revolutionary action."
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Romanian nationalism during the national-communist times (1964-1989) has been considered by historians and political scientists as a consequence of international relationships. After the death of Stalin, Romanian communists searched for... more
Romanian nationalism during the national-communist times (1964-1989) has been considered by historians and political scientists as a consequence of international relationships. After the death of Stalin, Romanian communists searched for popular and international support against the control Soviet Union pretended to have on the country. However, the development of national discourse in a communist contest was forced by more than mere circumstances: Romanian public discourse floated around the nation since the 19th century, so communist intellectuals had plenty of national symbols and figures to rely on. The aim of the present paper is to show why Romanian national-communist cultural politics were based on the re-evaluation of cultural materials already present in the national cultural discourse. These cultural materials were merged in a Marxist-Leninist framework to be part of a nationalistic cultural project. The article discusses the centrality of the recovery of Romanian national ideology into the strategy of consent pursued by the communists, while showing the marginality of Romanian Communist Party in the interwar national discourse.

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