The Wayback Machine - https://web.archive.org/web/20140826205442/http://www.academia.edu:80/Documents/in/Midrash
Je trouve que c'est une belle étude sur la structure très mathématique de la narration biblique. Hélas, mes lecteurs ne partagent pas mon opinion. C'est le texte le plus exécré que je n'aie jamais écrit.
Research Interests:
Religion, Ancient History, Mythology, Jewish Studies, Near Eastern Studies, and 62 moreedit
Shekhinah, the ‘cloud of Yahweh’ in the Bible, a synonym for God’s presence in the rabbinic tradition, and a feminine hypostasis in the Kabbalah, is a popular theological image in contemporary Jewish feminist circles. Shekhinah currently... more
Shekhinah, the ‘cloud of Yahweh’ in the Bible, a synonym for God’s presence in the rabbinic tradition, and a feminine hypostasis in the Kabbalah, is a popular theological image in contemporary Jewish feminist circles. Shekhinah currently exists in many forms: she is another name for God, feminine, relational, experiential; she is a Goddess and the singular image that is sufficiently adaptable for a diverse range of postmodern feminist interpreters. However, the processes by which Shekhinah became the God/dess of Jewish feminism have not been researched. Therefore, this article tracks the evolution of Shekhinah iconography in the Jewish tradition to gain an understanding of the appeal of these images within the context of Jewish feminism’s quest for an alternative to the androcentric Holy One, blessed be He. The article then traces the extent of Shekhinah theologies engendered by Second, Third-Wave and recent Jewish feminisms concluding that the plurality of contemporary spirituality and the general rejection of ‘systematic’ models of theology are not necessarily problematic. Rather, Shekhinah is argued to be a binding agent for diverse religionists, and one which has become normative to Jewish feminist theology.
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This article proves that the title “Midrash Sepher Moshe,” written in Jewish square characters on the verso of the cryptic scroll 4Q249, is the product of a correction. Initially it had been “Sepher Moshe” which was subsequently corrected... more
This article proves that the title “Midrash Sepher Moshe,” written in Jewish square characters on the verso of the cryptic scroll 4Q249, is the product of a correction. Initially it had been “Sepher Moshe” which was subsequently corrected to “Midrash Moshe.” This is therefore a rare attestation of canonical awareness on the part of Qumran librarians. The terms “midrash” and “sepher” are discussed accordingly. In addition, the paleography of this title is submitted to close scrutiny, proving that the dating of these words to the early second century B.C.E. is not substantiated. Rather,both the first and second hands should be dated to around 100 B.C.E. like many other scrolls. This fresh analysis has important consequences for the dating of the entire cryptic corpus, which is not as early as previously suggested.
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