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'The name Ballvollen related to transnational transference of ideas' This article deals with cultural transference of ideas, exemplified by the name Ballvollen (The Ball Ley), used in seventeenth-century court records of witchcraft trials... more
'The name Ballvollen related to transnational transference of ideas'
This article deals with cultural transference of ideas, exemplified by the name Ballvollen (The Ball Ley), used in seventeenth-century court records of witchcraft trials from Vardø in Finnmark, Northern Norway. The village of Vardø was an important administrative centre in Finnmark, because Vardøhus Castle was located there. Norway and Denmark were in a union at the time, with the king living in Copenhagen. The District Governor in Finnmark, the king’s man, was placed at Vardøhus Castle.
The name Ballvollen appears for the first time in court records in 1621, and is mentioned several times until 1625. It always occurs in the same context, about a field where witches use to meet for gatherings, and where the devil is present. It is not documented used in Vardø neither before nor after this period of time. The article examines the name Ball Ley used in similar source material in Scotland, and in the same context, namely a witches’ gathering on a field. Using information from various sources, it is argued  that a direct transfer has taken place via a Scotsman, John Cunningham, who was installed as District Governor at Vardøhus Castle in 1619. He was active during interrogation of alleged witches who were brought before the court in Vardø. Cunnungham knew about the notion of witches meeting at a field together with the devil from the contents of Scottish witchcraft trials. He also knew Danish, having lived in Denmark since 1603. Due to his position, he was able to bring the name Ballvollen into the questioning of accused witches, and thereby into the court records. 
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Coming of Age Ritual - For boys, this ritual is usually done after 12 solar cycles or 13 years of age. (Some wait for boys to get their first pubic hair.) For girls, within the first lunar cycle the onset of menses.
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The identification of deviant burials as those of ‘vampires’ is a feature of excavated skeletons from sites across Eastern, Central and Southern Europe as well as the Balkans. Based on a close reading of historic and folkloric sources... more
The identification of deviant burials as those of ‘vampires’ is a feature of excavated skeletons from sites across Eastern, Central and Southern Europe as well as the Balkans. Based on a close reading of historic and folkloric sources researchers have sought to match features of excavated sites with narrative descriptions drawn from vampire legend and myth. This study critically reviews the recent claims based on sites in Bulgaria, Czech Republic, Greece, Italy, Poland and Slovakia. Whilst it is found that there was a widespread belief in vampires across Europe, it is argued that it is difficult to make absolute claims for ‘vampire’ burials on archaeological grounds as in most cases there are alternate and equally compelling interpretations of the data.

KEYWORDS
ARCHAEOLOGY, HISTORY, SIXTEENTH CENTURY, SEVENTEENTH CENTURY, VAMPIRE, DEVIANT BURIAL, PLAGUE, BLACK DEATH, FOLKLORE, PAGAN, BURIAL, WITCH, BALKANS, EASTERN EUROPE, CENTRAL EUROPE, SOUTHERN EUROPE, BULGARIA, CZECH REPUBLIC, POLAND, GREECE, ITALY, SLOVAKIA, LESBOS, VENICE, APOTROPAIC, VAMPIRIDZHIJA, PERPERIKON, SOZOPOL, PROSTEJOV, CELAKOVICE, DRAWSKO, GLIWICI, SOUTHWELL, KILTEASHEEN, LAZZARETTO NUOVO, NACHTZEHRER, KAMIEN POMORSKI
Submitted to 'Sin and Salvation in Reformation England' (London: Ashgate, due 2015).
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Invited to be the keynote speaker on the 400th anniversary of the inquisitor Heinrich Schultheiß’s coming to Westphalia at the Literary Society of Arnsberg (Germany) , 15 August 2014.
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Eva LARA y Alberto MONTANER (coords.), Señales, Portentos y Demonios: La magia en la literatura y la cultura españolas del Renacimiento, Salamanca, Sociedad de Estudios Medievales y Renacentistas, 2014, 950 pp., 232 ils.— ISBN... more
Eva LARA y Alberto MONTANER (coords.), Señales, Portentos y Demonios: La magia en la literatura y la cultura españolas del Renacimiento, Salamanca, Sociedad de Estudios Medievales y Renacentistas, 2014, 950 pp., 232 ils.— ISBN 978-84-941708-2-9
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Spanish Literature, Astrology, Alchemy, Magic, Inquisition, and 90 moreedit
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An ethno-historical perspective on the popular magic in Sardinia.
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Religion, Comparative Religion, Mythology And Folklore, Ethnohistory, Sociology of Religion, and 279 moreedit
Correlating cinema to witchcraft, this paper will problematise Laura Mulvey’s thesis of the male gaze. It argues for a feminine gaze where cinema self-conceives through its imitative image. Despite its fantastic conceit, imitative power... more
Correlating cinema to witchcraft, this paper will problematise Laura Mulvey’s thesis of the male gaze. It argues for a feminine gaze where cinema self-conceives through its imitative image. Despite its fantastic conceit, imitative power formed the basis for the very real persecution of witches during the European witch-hunts in the early-modern era. Charges of witchcraft were typically related to a diabolical reproduction of the natural body and included possession of the penis, the dismemberment and devouring of infants and the unborn, the procuring of abortions and miscarriages, and the creation of demonic children. Socio-historical investigations of the witch-hunts have largely ignored the imagistic dimension of witchcraft and its relation to the archaic belief in the maternal imaginary to ‘naturally’ shape or mutate the foetus, or even to conceive without a father. In figuring an artistic and technological correlation of witchcraft to cinema by way of the maternal imaginary, this paper will consider the potential for a feminine gaze.
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Hrsg. Stephanie Nomayo, Schriftenreihe des Städtischen Museums Kitzingen, Band 8, Kitzingen 2014
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aus: Die Hexe im Zauberspiegel fränkischer Kulturgeschichte, Seiten 122 bis 131
Schriftenreihe des Städtischen Museums Kitzingen, Band 8
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aus: Die Hexe im Zauberspiegel fränkischer Kulturgeschichte, Seiten: 110 - 121
Schriftenreihe des Städtischen Museums Kitzingen, Band 8
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