Magister Franciscus

This article is about the French ars nova composer. For the Italian Trecento composer sometimes known by the same name, see Francesco Landini.

Magister Franciscus
Occupation	Composer
Era	Ars nova
Known for	De Narcissus Phiton, Phiton, beste tres venimeuse

Magister Franciscus (fl. 1370–80) was a French composer in the ars nova style of late medieval music. He is known for two surviving works, the three-part ballades: De Narcissus and Phiton, Phiton, beste tres venimeuse; the former was widely distributed in his lifetime. Modern scholarship disagrees on whether Franciscus was the same person as the composer F. Andrieu.

Identity and career

Franciscus may be the same person as the F. Andrieu who wrote Armes, amours/O flour des flours, a déploration on the death of poet-composer Guillaume de Machaut (c. 1300–1377). Although, the scholarly consensus on this identification is unclear. He may also be Franciscus de Goano (a papal choir chaplain; d. 1404) or the singer Johannes Franchois. Machaut was the most dominant and important composer of the 14th century, and Franciscus's works show many similarities to his, suggesting the two were contemporaries.

Music

Only two of his works survive, the three-part ballades: De Narcissus and Phiton, Phiton, beste tres venimeuse. They are both contained in the Chantilly Codex. Reaney notes that Magister Franciscus's works are likely earlier than Andrieu's, between 1370 and 1376. Phiton, Phiton is dedicated to Gaston III of Foix and includes a musical quotation of Machaut's Phyton, le mervilleus (B38), a ballade written sometime after 1369.

Works

List of compositions by Magister Franciscus

Title	No. of voices	Genre	Manuscript source: Folios	Apel	Greene
De Narcissus	3	Ballade	Chantilly Codex: 19v	A 26	G Vol 18: 16
Phiton, Phiton, beste tres venimeuse	3	Ballade	Chantilly Codex: 20v	A 27	G Vol 18: 18
No other works by Magister Franciscus survive

Editions

Franciscus's works are included in the following collections:

• Apel, Willi, ed. (1970–72). French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. Vol. 53. Cambridge, Massachusetts: American Institute of Musicology. ISBN 9780910956291. OCLC 311424615.
• Greene, Gordon K., ed. (1982). Manuscript Chantilly, Musée Condé 564 Part 1, nos. 1–50. Polyphonic Music of the Fourteenth Century. Vol. 18. Monaco: Éditions de l'Oiseau-Lyre. OCLC 181660103.

Recordings

Recordings of music by Magister Franciscus

Year	Album	Performers	Piece	Label
1950 or before	Monuments of the Ars Nova, vol. 102	Various	De Narcissus	Oiseau-Lyre OL 102
1973	The Late 14th Century Avant Garde	Early Music Consort of London	Phiton, Phiton, beste tres venimeuse	EMI/HMV ASD 3621

References

Sources

Books

• Reaney, Gilbert (1986) [1960]. "Ars Nova in France". In Abraham, Gerald; Hughes, Dom Anselm (eds.). Ars Nova and the Renaissance 1300–1540. The New Oxford History of Music. Vol. III. Oxford: Oxford University Press. pp. 1–30. ISBN 978-0-19-316303-4.
• Reese, Gustave (1940). Music in the Middle Ages: With an Introduction on the Music of Ancient Times. Lanham: W. W. Norton & Company. OCLC 398158.
• Strohm, Reinhard (2005). The Rise of European Music, 1380-1500. Cambridge: Cambridge University Press. ISBN 978-0-521-61934-9.

Journals and articles

• Günther, Ursula (2001). "Franciscus, Magister". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.10117. ISBN 978-1-56159-263-0. (subscription, Wikilibrary access, or UK public library membership required)
• Magnan, Robert (1993). "Eustache Deschamps and his Double: Musique naturele and musique artificiele". Ars Lyrica. 7. New Haven: Brepols: 47–64. eISSN 2507-0398. ISSN 1043-3848.
• Reaney, Gilbert (1954). "The Manuscript Chantilly, Musée Condé 1047". Musica Disciplina. 8: 59–113. JSTOR 20531876.
• Reaney, Gilbert (2001). "Andrieu, F.". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.00904. ISBN 978-1-56159-263-0. (subscription, Wikilibrary access, or UK public library membership required)

Further reading

See Günther 2001 for an extensive bibliography

• Tomasello, Andrew (1983). Music and Ritual at Papal Avignon 1309–1403 (PhD thesis). Ann Arbor, MI: UMI Research Press. p. 226.
• Wilkins, Nigel (1968). "The Post-Machaut Generation of Poet-Musicians". Nottingham Medieval Studies. 12. Turnhout: Brepols: 40–84. doi:10.1484/J.NMS.3.38.

External links

• List of compositions by Magister Franciscus at the Digital Image Archive of Medieval Music
• Works by Magister Franciscus in the Medieval Music Database from La Trobe University