Natural History

"If I had let myself be ruled by reason alone, I would surely be lying dead somewhere or another in the Siberian frost.

The Siberian taiga: a massive forest region of roughly 4.5 million square miles, stretching from the Ural Mountains to the Bering Sea, breathtakingly beautiful and the coldest inhabited region in the world. Winter temperatures plummet to a bitter 97 degrees below zero, and beneath the permafrost lie the fossilized remains of mammoths, woolly rhinoceroses, and other ice age giants. For the Yukaghir, an indigenous people of the taiga, hunting sable is both an economic necessity and a spiritual experience—where trusting dreams and omens is as necessary as following animal tracks. Since the fall of Communism, a corrupt regional corporation has monopolized the fur trade, forcing the Yukaghir hunters into impoverished servitude.

Enter Rane Willerslev, a young Danish anthropologist who ventures into this frozen land on an idealistic mission to organize a fair-trade fur cooperative with the hunters. From the outset, things go terribly wrong. The regional fur company, with ties to corrupt public officials, proves it will stop at nothing to maintain its monopoly: one of Willerslev’s Yukaghir business partners is arrested on spurious charges of poaching and illegal trading; another drowns mysteriously. When police are sent to arrest him, Willerslev fears for his life, and he and a local hunter flee to a remote hunting lodge even deeper in the icy wilderness. Their situation turns even more desperate right away: they manage to kill a moose but lose the meat to predators and begin to starve, frostbitten and isolated in the frozen taiga.

Thus begins Willerslev’s extraordinary, chilling tale of one year living in exile among Yukaghir hunters in the stark Siberian taiga region. At turns shocking and quietly moving, On the Run in Siberia is a pulse-pounding tale of idealism, political corruption, starvation, and survival (with a timely assist from Vladimir Putin) as well as a striking portrait of the Yukaghirs’ shamanistic tradition and their threatened way of life, a drama unfolding daily in one of the world’s coldest, most enthralling landscapes.

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"Here's the entire book, for free. I found it posted several places on the internet, so even though it's still in copyright, I thought I'd post it here.

I am currently working on a book that's a kind of sequel, except the new book will be on a much larger scale. It's called, tentatively, "Our Visual World." My co-author is the historian Erna Fiorentini, and our publisher is Oxford. There's more about it on this site, and also on my website at

http://www.jameselkins.com/index.php/experimental-writing/257-our-visual-world

All comments are welcome! (Except comments on the chapter "How to Look at an Engineering Drawing": that chapter has an error, and if you're clever enough to find it, you're lucky.)"

"Preface
Throughout all of Europe we find examples of folk-belief assigning special qualities to the seventh-born son or daughter of a family. At times these attributes were positive, at times negative. However, they always had a magical aura about them (Bloch [1924] 1983). For the most part, these beliefs have been written off as superstitious residue from times past and as a result little attention has been paid to documenting the concrete social practices associated with them. An exception to this tendency is the work of Marc Bloch, who in 1924, called attention to the supernatural powers attributed to the seventh son and at times, to the seventh daughter, born after an uninterrupted series of the same sex, remarking that seventh-born children were credited with a “particular supernatural power” (Bloch [1924] 1983: 293, 296). Writing in 1924, Bloch observed that “La croyance sous cette forme a été et est sans doute encore très largement répandue dans l’Europe occidentale et centrale: on l’a signalée en Allemagne, en Biscaye, en Catalogne, dans presque toute la France, dans les Pays-Bas, en Angleterre, en Escosse, en Irlande […]”  (Bloch [1924] 1983: 294-295).

Specifically, Bloch noted that from at least the 16th century onwards, children born into a seventh position in their family supposedly had the power to heal by touch. Such extraordinary people, often deemed sorcerers, even devils, were also referred to by a variety of expressions such as mahr (German) or murawa (Polish) and consequently they had the ambivalent privilege of tapping into powers that were inaccessible to normal humans. Specifically, they were viewed as having healing and divinatory powers, which could entail shape-shifting (Vaz da Silva 2003). That is, those individuals were endowed with the ability to take the form of an animal. From the point of view of modern Western thought this belief causes the dividing line between humans and animals to become blurred. Nonetheless, that blurring or fusion of two natures would be in accordance with the cosmology of native peoples in other parts of the world, especially contemporary hunter-gatherers, where such animistic beliefs also prevail (Bird-David 1999; Brightman 2002; Ingold 2000; Willerslev 2007).

It is quite clear that the qualities assigned to the seventh-son or daughter harken back to an earlier animistic mindset, notions of nonhuman personhood and social practices that in turn connect back to shamanic modes of healing. At the same time, as noted in the earlier chapters of this study, the fused nature of the Bear Son, the half-human, half-bear being known as Hamalau “Fourteen” in Basque, reflects a similar blurring of the Western human-animal divide and related cultural conceptualizations.

And as Bertolotti has demonstrated in his detailed and extraordinarily well researched study Carnevale di Massa 1950 (1992), European versions of the Bear Son folktales, e.g., Giovanni l’Orso, may well reproduce much earlier beliefs, more in consonance with the cosmovision of hunter-gatherers who inhabited these zones in times past. More concretely, the fact that the figure of Hamalau is grounded in the belief that humans descended from bears allows us to consider the significance and symbolism of this character’s own genesis: he is born of a human female, but his father is a bear. In this sense, he is a double-natured intermediary occupying the ontological ground between humans and bears.
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"A talk given as participant on the discussion panel Canadian and American Perspectives on the Literary Archives: A Realm of Creation with Kim Stafford, Sebastian Matthews, and Paul Merchant. The paper discusses my experiences and challenges as a student on encountering literary archives for the first time.
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"Full citation:  Frank, Roslyn M. and Marianna Ridderstad (2013) Conflicts over masks, museums and tourism: Comparing European and Native American Traditions and Solutions. Presentation at the 34h Annual American Indian Workshop: Art of Indians – Indians of Art, May 14-17, 2013, University of Helsinki, Finland.

Abstract
Roslyn M. Frank
Marianna Ridderstad

Conflicts over masks, museums and tourism: Comparing European and Native American Traditions and Solutions

The presentation begins by comparing certain contemporary conflicts and debates that have arisen in both Europe and N. America concerning the way that traditional masks worn by performers are carved and cared for, or, better stated, should be carved and cared for. The discussion will examine the impact of tourism and subsequent commercialization of the artifacts on the performances themselves and the way these pressures have impacted the production and sale of the masks, giving special attention to the ongoing debates over whether these masks should be commercialized at all and/or kept in a museum. The two study groups consist primarily, although not exclusively, of the masks and performances associated with the False Face Society of the Iroquois, on the one hand, and a kind of Alpine equivalent, the Tschäggättä performers of Switzerland, or stated more explicitly, the masked performers from the Löchtental of the Canton Valais in the Rhône Valley whose ritual activities are understood to bring good luck and health to those visited. Interviews with traditional carvers and performers will be discussed.

In the second part of the presentation other contemporary masking traditions in Europe and N. America will be examined, specifically, the masks and costumes of ‘bear performers’, including variants such as the Finnish Nuutti/Kekripukki. The accoutrements of these European 'bear maskers' will be compared to those found in N. America. At the same time, the comparative approach will serve to bring into focus the archaic pan-European belief that humans descended from bears since in many locations in Europe we still find a wide variety of bear-human performers, actors who dress as bears or bear-men and whose function is prophylactic, to confer good luck and health on those visited, masking traditions that have striking parallels among N. American indigenous peoples.

Roslyn M. Frank, Professor Emeritus at the University of Iowa, has done extensive fieldwork in the Basque Country, studying the language and beliefs of the Basque people, including the folk belief that holds Basques descended from bears. This led to subsequent investigations into circumpolar bear ceremonialism and to documenting residual evidence of the same in European traditional performance art. Her publications are in the area of Basque studies, cultural cognitive linguistics, and anthropology. For further information, cf. http://uiowa.academia.edu/RoslynMFrank.

Marianna Ridderstad has a Lic.Phil. in astrophysics and M.Sc. in theoretical physics, and is currently preparing her Ph.D. at the University of Finland on the archaeoastronomy of Neolithic stone monuments in Finland. Her research explores the archaeoastronomy of Finnish monuments from the Bronze Age to the Early Middle Ages, as well as ancient Finnish and Finno-Ugric folklore and traditions related to astronomical subjects, including the calendrical and ritual significance of the Bear. For further information, cf. http://helsinki.academia.edu/MariannaRidderstad.
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This article addresses the urgent need for better documentation in museum collections. The stories behind museum objects are being lost every day, as books go out of print and staff members retire; while others never had their story told at all. A step-by-step guide to researching undocumented objects in museum collections is included, with a detailed example using a Greek lekythos in the collections of the National Museum of Natural History. The obstacles to object-level research activities to improve catalog information are discussed. I conclude that documentation is an urgent duty that cannot be kept waiting or we risk complete loss of context. Our museums’ leadership and strategic priorities need transformation in order to make storytelling and access a priority. All staff need to be involved with documentation, and should be empowered to add information to object records. We need to remove the barrier to access, and involve the community in crowd-sourcing history.

Mobility is a key component of species’ biology. Research on mobility is inherently difficult, however, resulting in studies of narrow taxonomic, spatial, and temporal scope with results that are difficult to compare between studies. We had three goals for our research: (1) construct a data set of mobility estimates for the butterfly species of Canada based on naturalists’ knowledge; (2) develop methods to evaluate aspects of accuracy and precision for knowledge-based ecological research such as ours; and (3) using our data set, test mobility-related hypotheses of species-level relationships. We distributed a questionnaire to amateur and professional lepidopterists in Canada and northern USA, asking them to estimate the mobility of Canadian butterfly species based on their field experience. Based on responses from 51 lepidopterists with approximately 800 years of combined field experience, we received mobility estimates for almost all (291 out of 307) of Canada’s butterfly taxa. Mobility estimates were consistent among respondents and were not affected by respondent expertise. Mobility carries a strong phylogenetic signal and is positively related to wingspan (albeit weakly), range size, and host plant breadth, and negatively related to conservation risk. Reliance upon naturalists’ experience was essential to the feasibility of our project, and provides a promising method for many types of ecological research.